Visit ebay now and cast your bid for Nicole’s hand painted and signed birdhouse and to contribute to this important cause.

Nicole also uses the Swisse Ultiboost Hair Skin Nails Liquid and said, “I take this religiously.” This unique and great tasting beauty formula contains silica and vitamin C to support the building blocks of hair, skin and nails and maintain their health and appearance.

“This film is very, very concisely put together and as an actor it’s wonderful to work in that guide.” – Nicole Kidman, LA Times

After India’s father dies, her Uncle Charlie, who she never knew existed, comes to live with her and her unstable mother. She comes to suspect this mysterious, charming man has ulterior motives and becomes increasingly infatuated with him.

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India finds herself drawn to her father’s long-lost brother, Charlie (Matthew Goode), who unexpectedly arrives for the funeral and decides to stay on with her and her emotionally unstable mother, Evie (Nicole Kidman). While India initially mistrusts her charming but mysterious uncle, he fascinates her as well, and she begins to realize how much they have in common.

As Charlie reveals himself to her little by little, India becomes increasingly infatuated with her charismatic relative and comes to realize that his arrival is no coincidence. With her uncle to guide her, she is about to fulfill her unusual destiny.

Having made a career out of her dark, subversive character choices, Nicole opened up to DuJour Magazine about finding the light with her family.  Click through this gallery to see photos from the magazine, and read the interview in its entirety here.

Click here to get your own copy of The Simple Things, by Antonia Kidman & Sally Collings

Nicole plays Charlotte Bless, a boisterous, trashy blond coquette who recruits a Miami Times reporter (Matthew McConaughey) and his kid brother (Zac Efron) to exonerate the love of her life (John Cusack), the man she believes was wrongly put on Death Row for the murder of a sheriff.

The film’s Florida setting — populated by crocodiles, jellyfish and the Southern swelter of soul music — makes for a swampy, genre-bending romp that is both silly and serious. But the main word on the street is about Kidman’s performance. Back in May when the film competed for the Palme d’Or at Cannes, Peter Bradshaw of The Guardian wrote “Nicole Kidman really is terrifically good as Charlotte: funny, sexy, poignantly vulnerable.”

A.O. Scott of The New York Times brilliantly describes Nicole’s turn in this bawdy melodrama: “Ms. Kidman, garishly made up and harshly lighted, is a vampy, campy whirlwind: a femme fatale, a good-time girl and a tragic diva with a husky drawl and teased hair.”

In his ecstatic review for HitFix, Guy Lodge writes: “Finally, [Lee] Daniels again proves … he can tease some remarkable performances out of his actresses in particular: Kidman, relishing the chance to allow most of the character to the surface for a change, is more sexually strident and earthily funny than she’s been since To Die For.”